I've been
doing documentary, portrait, and fine art photography for a
long time (and gripping my dad's old Argus camera case for even
longer). During that time I've worked mostly in my native Tennessee
and in North Carolina. I was the staff photographer at the
Independent in Durham, North Carolina, for most of the
1990's, and I've also covered the southeastern United States
for national clients, including The New York Times Magazine,
the Ford Foundation, the Columbia Journalism
Review, and PBS's Frontline. In the spring
of 2007, I earned a Master of Fine Arts degree from the University
of North Carolina at Chapel Hill and taught basic photography
there. I've also taught at the Center for Documentary Studies
at Duke and will be teaching basic and special topics courses
at the Center
during the fall of 2008.
During the
past few years, I've been concentrating on large-format night
photography. It's a rewarding and completely singular type
of shooting. The exposure times range anywhere from 4 minutes
to an hour for one shot, which is lit by the ambient light available
at the scene. Sometimes that lighting is the beautiful cool
softness of moonlight (those are always the hour-long exposures!),
and sometimes it's the harsh artificiality of sodium vapor street
lamps or my own car headlights. I shoot mostly with a 4x5 view
camera but occasionally with an 8x10 view camera as well. I
find even the most mundane night scenes particularly poignant,
as they've outlived their usefulness to daytime people and are
on their own until sunrise.
I've recently
been attracted as well to kitchen "landscapes" that
have outlived their usefulness to people. This inspiration began
innocently enough. A set of strawberry caps in an aluminum bowl
were too beautiful to throw away. Then the fruit flies came,
and they were the fauna to the strawberries' flora. Now I feel
as though I farm fruit flies like ants farm aphids, but I assure
you, it's worth it. Turns out they're quite photogenic. Stay
tuned for samples of that work soon (probably late summer, 2008).
Any
upcoming exhibitions are listed here,
or you can send a blank email to add_me@mjsharp.com
to be added to the mailing list. If you're interested in a specific
image, some of which are currently available as 30x38 inch editioned
prints, or if you're interested in a general studio visit (come
visit!), send a non-blank email to mj@mjsharp.com.
Please click
here for a downloadable (nicely
formatted) CV, or you can take your chances and access the
html version here
(with browser-dependent, almost-indecipherable mystery formatting).