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| In the above images, the strange colors are actually the ones at the scene, or, more correctly, the ones that result from the film's interaction with the many strange lighting sources at night combined with the long exposures. Sometimes, as is the case with the Amarillo grain elevator and the Haw River Bridge next to it, the exposure was close to 40 minutes with a cloudy or foggy night sky and a full moon. The long exposure with the strong moonlight filtering through and reflecting off all the cloud cover makes the scene look very bright. It's not until you notice that the ground is dark in an unnatural way that you realize that they weren't shot in the daytime. The final prints are large, glossy digital C-prints (still a wet darkroom process, but the paper is exposed with laser light interpreting the digital file from the scanned negative rather than enlarger light interpreting the negative directly). Many are printed quite large: 30x38 inches or larger. Feel free to drop me a line at mj@mjsharp.com , if you're interested in pricing and edition information on a particular image, or if you'd like to schedule a studio visit to see samples of the work. Any upcoming exhibits of this work will be listed under Exhibitions on the main page. You can also send a blank email to add_me@mjsharp.com to be added to the e-mail list.
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A small sampling of earlier images are available at these links:
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